Underwater breathing (when the trolls come)

Trolls in The Hobbit

Sometimes those who seem to love (or understand) only what is big and loud trample what they have never even noticed was there. Sometimes what they trample upon is the sensitive person's treasure, the tiny miracle the quiet visionary has been holding in her palm.

Carved Eggshells by Beth Ann Magnuson

She says in a whisper, too trusting, wanting so much to share the joy, "Look. Look at this little piece of me. It is the most beautiful thing I know to be mine." 

An excited troll lumbers over and smash--it is gone. He did not even know something could be that small, that intricate, or that holy. 

Her devastation is chalked up to childishness. "Bah!" says the troll. "I see nothing here! Why do you waste time?" 

When violence is caused by insensitivity, by a lack of perception of what one sees so clearly, who is to blame? How to cry foul?

Music Box from subBlue on Vimeo.

In a gifted mind, where worlds are intricate and sensitive, this destruction can become the daily bread, simply a way of life:

One of the most common experiences of gifted children is a unique way of perceiving. They make more abstract connections, they synthesize diverse experiences, and they make sophisticated conclusions at an early age. Not that the gifted child's unique perceptions are always "true" to the rest of us, but they are powerful. The result is a child growing up with a reality somewhat different than the reality of her peers -- and often different from her parents, teachers, and allies.

Villa Epecuen, Argentina

Because they are different in other ways, gifted children are often isolated anyway. Somehow these multiple tendencies toward isolation reinforce one another to the point where the majority of gifted children feel lonely, left-out, or different.

This combination of unique perception and its concurrent isolation yield an emotional vacuum. After all, for most of us, our emotional selves develop by "bouncing off" of all those around us. (Joy and Loss: The Emotional Lives of Gifted Children, Joshua Freedman and Anabel Jensen, PhD)

As adults, we learn to live with it. Kind of. Despite the wreckage it will cause in our jobs and relationships, we go underground sometimes. It is sometimes at the bottom of the ocean, where sounds are muted and all is touch and flow, that we breathe best, and we remain unshattered.

Source

In The Noonday Demon: An Atlas of Depression, Andrew Solomon writes, "Mild depression is a gradual and sometimes permanent thing that undermines people the way rust weakens iron. [...] Like physical pain that becomes chronic, it is miserable not so much because it is intolerable in the moment as because it is intolerable to have known it in the moments gone and to look forward only to knowing it in the moments to come. The present tense of mild depression envisages no alleviation because it feels like knowledge" (p. 16).

It seems to me that this is more than a feeling of knowledge. Instead, it is often linked directly to knowledge. In a world of trolls, knowledge is a liability. How to extol the virtues of complexity to a boss who demands that you create something "fun"? How to present the ecstasy of subtlety to an audience seeking more "pizzazz"? To them, their way is obviously better.

So we hold our tongues, and sometimes our breath. And sometimes we dive down for air.

Don’t Tell Anyone
by Tony Hoagland

We had been married for six or seven years
when my wife, standing in the kitchen one afternoon, told me
that she screams underwater when she swims—

that, in fact, she has been screaming for years
into the blue chlorinated water of the community pool
where she does laps every other day.

Buttering her toast, not as if she had been
concealing anything,
not as if I should consider myself

personally the cause of her screaming,
nor as if we should perform an act of therapy
right that minute on the kitchen table,

—casually, she told me,
and I could see her turn her square face up
to take a gulp of oxygen,

then down again into the cold wet mask of the unconscious.
For all I know, maybe everyone is screaming
as they go through life, silently,

politely keeping the big secret
that it is not all fun
to be ripped by the crooked beak

of something called psychology,
to be dipped down
again and again into time;

that the truest, most intimate
pleasure you can sometimes find
is the wet kiss

of your own pain.
There goes Kath, at one PM, to swim her twenty-two laps
back and forth in the community pool;

—what discipline she has!
Twenty-two laps like twenty-two pages,
that will never be read by anyone.

Source: Poetry (July/August 2012).

Sheltering the Wild

"To love is to approach each other center to center." ~ Pierre de Teilhard de Chardin

It has taken me a long time to write this post, perhaps because it touches on the "heart" of things. I want to write about unconditional love, about revelations that allow the connection between two beings to ignite with wild lightning. This is about holding on in the storm, not because we are kind enough to pretend it is not that bad or we don't really feel the lash of the wind in someone else's pain.

Francoise Gilot (French, b.1921), Little Girl with Owl 1960

It is about joining in the roll of thunder, pairing each other's scars like kindling for a warmth we seek, because the wild heart in each of us deserves to be gazed upon with full acceptance. In my most honest love, there is a place for the safe unveiling of brutality.

“To love another another human in all of her splendor and imperfect perfection, it is a magnificent task...tremendous and foolish and human.” ~ Louise Erdrich, The Last Report On The Miracles At Little No Horse

Our centers are full of divinity and light, yes. But there is also pain and fear, rage and hunger. To deny this in ourselves is to feel ashamed of our very natures. To deny this in others, or to judge it as diminishing the other, is to offer a cowardly love. We cannot fully love without the revelation of imperfections. So when we hide our ugliness, we are, in effect, refusing the chance to be known and loved.

Such a shrinking away from wholeness, and its concomitant lack of trust, has dire consequences in all aspects of life, not just in our most intimate relationships (as if this alone were not bad enough). John Warner recently wrote a self-proclaimed "preachy" piece on truth in Inside Higher Ed, entitled "A Column Not to Be Dictated to by Fact Checkers," in which he discussed this phenomenon in today's classrooms (and politics). I found the following excerpt particularly relevant:

Found here. 

"I sometimes read about how the current generation has been ruined by the self-esteem movement, but they can hardly be blamed with their role models, champions who cheat, politicians who lie, journalists who don't believe there is such a thing as truth.

Or a teacher who is worried about looking like a square when he says he believes in truth. All of us are signaling that there’s nothing much worthy of belief aside from our own “success,” our image, and how we’re perceived on some imaginary scoreboard.

These are all forms of cowardice, a lack of trust in ourselves and others, that we will not be judged of value unless we are perfect, if we are anything short of outstanding."

This is not to say that we should parade our scars in some sort of victim dance. But to cover ourselves in "goodness" is a kind of death: “To banish imperfection is to destroy expression, to check exertion, to paralyze vitality” (John Ruskin, The Stones of Venice).

In some way, I approach this topic as a sociolinguist. I know that in language, like in all human systems, attainment of a "perfect" state cannot be achieved except through death (and yes, here, I am mindful of the spiritual implications of this). And even then, what is considered the "perfect" moment is debatable, not to mention a mere abstraction. In language, it is the variation, its very state of imperfection, of dynamic motion and persistent change in a world that never experiences the same moment twice, that allows it to flourish. Languages do not survive despite their imperfections, but rather because of their imperfections. I think this sheds a new light on our lives.

by minimaforms, 2008. “Minimaforms was invited by
Archigram’s David Greene to rethink and evolve his
seminal projects the Living Pod and High-Rise Tower
as part of a show called Imperfect works.” Exhibited at
Mega-Structures Reloaded, Berlin (2008) / Imperfect Works,
London (2008).

"The key to a rational conception of language change – indeed, of language itself – is the possibility of describing orderly differentiation in a language serving a community … It is absence of structural heterogeneity that would be dysfunctional." (Weinreich et al. 1968: 100–101)

A language that does not shift, bending rules and opening itself to "strange" new patterns, is soon a dead language.

On the spiritual question, Lacey Mosley discovered that she could see God's grace best through the lens of imperfection: “I've learned recently to love imperfection a lot because it shines such a big light on God's grace. And if someone has grace for you that's when you feel their love the most and they see you for who you are and they love you anyway.”

When I compare our "imperfection" to the "imperfection" of human systems like language and culture, it dawns on me that there is nothing to be forgiven. It is not that we must love "anyway," but that through this, we love. Through this wildheartedness that is our life force, we understand:

Louise Butler, Journey to Nimbus (2010), oil on canvas

“But those who seek only reassurance from life will never be more than tourists—seeing everything and trying to possess what can only be felt. Beauty is the shadow of imperfection.” ~ Simon Van Booy, Everything Beautiful Began After. 

So yes, we must shelter our wild (heart/tongue), but not because it is shameful. If we shelter it, it should be to save it for those who will know how to feed it. What a mess Einstein once was! But he did not shrivel away. And, I would argue, it was this very messiness that brought him to question everything, and to change our understanding of the world. I assure you, he is not the only example.

“You are a child of God. Your playing small does not serve the world. There is nothing enlightened about shrinking.” ~ Marianne Williamson

In disability, our mess is also our greatness. This is not because we are meant as inspirations to others, as some sort of epiphany-producing humanoid object. This is because the mess of disability itself is a question, which is a curiosity, which is a quest, which is a revelation. Love the imperfections, crawl into them and gaze from the inside out, and a rich new world will unfold.

Weinreich, U., Labov, W., & Herzog, M. 1968. "Empirical foundations for a theory of language change." In: W. Lehmann & Y. Malkiel, eds., Directions for historical linguistics. Austin: University of Texas Press. 95-198.

"Soft, yes. Weak, no."

In her well-known article on the traits of gifted adults, "Can you hear the flowers sing?", Lovecky writes of the trait of sensitivity:

Zhaan from Farscape

"A depth of feeling that results in a sense of identification with others characterizes the trait of sensitivity. Gifted people form deep attachments and react to the feeling tone of situations; they think with their feelings. People who are highly sensitive make commitments to other people and to social causes. They can be enthusiastic and intensely single-minded about their dedication. Poets, Investigative reporters, Peace Corps workers, and political and religious leaders are often gifted in sensitivity. Examples of such people include St. Francis of Assisi, Elizabeth Blackwell, Emily Dickinson, Ghandi, Martin Luther King, and Virginia Woolf.


"People gifted with the trait of sensitivity find positive social and emotional benefit in their deep concern for the needs and rights of others, their empathy for the feelings of others, and their desire to help even at significant cost to themselves. These gifted adults may be unusually aware of the feeling tone of situations and of the more sensual aspects of the environment, such as color and shading. They are often aware of their own shortcomings. Some gifted adults feel a sense of unity with the cosmos, an experience of a universal sharing of self. Adults gifted with sensitivity tend to be highly moral people concerned with giving and with doing what is right for others."

Unfortunately, any sensitivity has the tendency to be viewed as somehow passive, fragile, or weak. Yet let us think in other terms for a moment. Psychologist (and my former teacher) Paula Prober refers to such minds as "rainforest minds": rich, vibrant, and, yes, sensitive. In the density of its riches, apparently small damages can create disproportionate harm. The plants heal, the animals are beyond compare.

So sensitive folks are simply densely rich. Does this come with a certain vulnerability? Yes. Does it mean weakness? No.

To turn to another world now, we may remember Toph from Avatar: The Last Airbender. She is small, female, and blind. Her hyper-sensitive feet "see" for her; they remain exposed to the world, easy to damage, far from impervious to the lash of any flame. Yet it is this that makes her powerful.

We must learn to move in new ways.

First impressions

And I always try so hard not to make snap judgments. Turns out, they're probably right...

How many slices does it take to accurately judge personality and intelligence?